Articles by Agustina Iñiguez

How do pavilions emerge in architecture? What role do they play in urban spaces? Beyond the multiple interpretations that exist around the world, the pavilion, as an architectural principle and typology, tends toward extroversion, often associated with a centrifugal nature and visual openness toward the horizon, which is linked to its origins as a tent offering shelter from the elements. Pavilions are usually identified as isolated and independent structures that can promote lateral openings in the urban space, panoramic or introspective views, technological reflections, and material experiments that are recognizable from the outside or once inside.

Spanning over 20 million square kilometers and featuring nearly all the climates of the world, the Latin American region is home to endemic biological wealth and geographical diversity that ranges from some of the most significant rivers in the world to the mountain range of the Andes, the Amazon rainforests, the plains of Patagonia, the coasts of the Caribbean Sea, and more. In light of a collective effort involving local communities and new generations, the construction of installations and structures in these natural environments is aimed not only at meeting functional needs but also at educational, research, and environmental conservation purposes.

How does floating architecture relate to nature? How are wellness spaces connected to natural environments? Living in spaces around water continues to be one of the greatest interests and attractions for a large portion of the global population. Beyond the fact that designing on water requires consideration of various structural, economic, construction, material, and technological variables, understanding the region’s climate aspects—such as rainfall, currents, winds, temperatures, and more—is essential for creating architectures that coexist with the natural world and do not cause severe damage to ecosystems.

What is the link between architecture and pastry? What design strategies are applied in the contemporary interiors of bakeries and pastry shops? While architecture can serve as inspiration for the design of forms and configurations of edible elements, it also contributes the techniques of descriptive drawing, architectural composition, and staged planning to the culinary language. Focusing their thinking on people and their needs, both disciplines strive for precision, with interior design being a broad field where the use of figures, colors, materials, and various equipment can be explored to enhance user experiences.

How is it possible to open educational spaces to the outdoors, and what are the appropriate conditions for their development? What bioclimatic strategies can be implemented to contribute to environmental comfort and the cultural preservation of communities? By conceiving outdoor learning spaces and blurring the boundaries between indoors and outdoors, the educational infrastructures projected by the Semillas association in the Peruvian jungle invite reflection on the opportunities for gathering, meeting, and community participation among students, families, and local residents. Linked to the site’s uses and customs, this conception of space represents a way of living where the implementation of bioclimatic strategies, along with the use of local materials and construction techniques, come together to create an architecture connected to its environment and history.

The domestic space reflects individuals’ activities, behaviors, and actions, where various dynamics and processes coexist as part of daily life. Although each home has its distribution logic according to the time of its design, the needs of its inhabitants, the technologies of the era, and other factors, residential interior renovations often express an interest in recovering old structures and façades, recycling unused furniture, restoring high-quality elements present in coverings and flooring, or directly integrating new features to achieve greater spatial fluidity, lighting, and optimization of surfaces.

What is the vision for a 21st-century library? How can architecture professionals foster the interest of new and future generations in reading? Globally, the rapid growth of communication technologies, along with the increase in available information and the constant need to update knowledge, brings with it new educational approaches, cultural practices, and community activities that involve the creation of more dynamic spaces capable of adapting to different functions simultaneously. The connection with play, the integration of other uses, or even the incorporation of new technologies typically play a central role in the interiors of contemporary libraries designed for a young audience.

Around 1949, the city of Buenos Aires led the construction of the Sixth Pantheon in the Chacarita neighborhood. Monumental in character and brutalist in style, this underground necropolis turned out to be the first and largest experiment in modern architecture in the funerary field. Designed by Ítala Fulvia Villa, one of the first Argentine women architects and urban planners, and a pioneer of South American modernism, along with her team comprised of Leila Cornell, Raquel S. de Días, Gunter Ernest, Carlos A. Gabutti, Ludovico Koppman, and Clorindo Testa, this work was discovered by Léa Namer, who conducted an in-depth investigation reflecting on the legacy of a modern utopia and a feminist rereading of history.

Until July 14, 2024, the pavilion ¡Qué faena(r)! (‘What a Task!’) by Óscar Cruz García and Pablo Paradinas Sastre will be installed at Puerta del Sol in Vigo, one of the two winning temporary pavilions of the third edition of TAC! Urban Architecture Festival. Reflecting on public spaces and the regeneration of urban centers as the main theme of this new edition, the proposal combines tradition and innovation, involving local producers and artisans during the process and simultaneously reusing materials considered waste, such as fishing nets, rusty ‘bombos,’ recovered wood from bateas, and granite blocks that gain a second life after fulfilling their mission in the sea.

Within the framework of implementing green infrastructure projects for water management in the Basin of Mexico, utilizing existing public spaces, La Quebradora Water Park emerges as the first proposal for hydro-urban acupuncture. The project, developed by the team from the Institute of Social Research at UNAM, coordinated by Manuel Perló Cohen and Loreta Castro Reguera Mancera, aims to transform the site’s infiltration into a landmark of good water management, public space creation, and strengthening of the social fabric through four levels: infrastructure, park, city, and viewpoint. Addressing part of the water and social issues facing the area, the proposal transforms urban infrastructure into a public and recreational space for the community in a densely populated area with scarce public spaces.