Articles by Camilla Ghisleni

The opening scenes of the award-winning Brazilian film “City of God” (2002) portray a newly constructed housing complex situated on the outskirts of Rio de Janeiro. Subsequently, this complex evolves into a hub of poverty and violence. Despite the film being set in the 1960s, the housing development depicted was a recent construction.

When we think of the word “tropic,” the image that typically comes to mind is an exotic space, characterized by perpetual warmth and humidity, with frequent and heavy rainfall nurturing lush vegetation. Throughout history, this tropical climate has been romanticized as a paradise and criticized for potentially fostering weakness due to its perceived clemency.

Between now and 2050, worldwide installation of cooling appliances, like air conditioning, is projected to triple, resulting in a twofold increase in energy consumption. This reliance on such devices, often seen as exacerbating global warming, poses a paradox: how can we fight rising temperatures in cities while simultaneously contributing to them through our dependence on these solutions?

The future Saudi tower designed by Foster + Partners is expected to reach a staggering height of two kilometers. This multibillion-dollar project, towering twice as high as the current record holder, the Burj Khalifa in Dubai, will dominate the skyline of Riyadh, accommodating offices, residences, and entertainment spaces. It forms part of a development program led by Saudi Arabia, driven by the vision of Crown Prince Mohammad bin Salman to establish the country’s presence through ambitious, large-scale projects. While these super-tall towers symbolize visibility and global recognition, they face criticism for their extravagant construction costs and environmental impact.

In the perception of many, the favela embodies contradictory and opposed representations. For those outside its boundaries, the favela is frequently associated with crime, poverty, or illness. Yet, it is also regarded as the aesthetic embodiment of a nation, serving as the birthplace of culturally renowned elements worldwide, such as samba in the case of Brazil.

The concept of “eyes on the street” is perhaps the most famous within architectural and urban literature when it comes to urban security. Jane Jacobs uses this expression to refer to people who – consciously or unconsciously – use public spaces or observe them from their homes, generating natural surveillance. A movement that, within our discipline, is encouraged both through quality public spaces and through the powerful relationship between the public and private created through building facades. Advocating for this daily control, Jacobs believes in a way of making architecture and cities that condemns excessive verticalization, reinforced by isolated buildings and single-use ones that deny contact with the street

Considered the fifth most populous city in the world as of 2022, São Paulo is confronted with a multitude of challenges befitting its over 22 million inhabitants. Among the numerous urban issues faced, the depopulation of the city’s historic center has been a recurring topic for at least four decades, with governments announcing measures that could potentially reverse the situation. In the meantime, the same center has witnessed a rise in housing occupations in abandoned buildings, highlighting the importance of its redefinition and residential potential.

As commonly understood, gutters are elements installed along the edges of roofs and balconies to channel rainwater. Their primary function is to collect water flowing over the roof’s surface and direct it to the appropriate downspouts. Proper sizing is crucial regardless of the material—whether aluminum, PVC, concrete, galvanized steel, or others. Depending on the climate in which the project is situated, the damages caused by incorrect application can be considerable.

Recently, the renowned Danish office BIG announced the launch of its project for the city of Gelephu in Bhutan. This masterplan is inspired by the country’s culture and its principles of happiness. The “Mindfulness City” aims to offer numerous possibilities for public engagement, fostering investments in infrastructure, education, and sustainable technologies—all aligned with the precepts of Gross National Happiness (GNH).

The relationship between architecture and the environment is multifaceted. It involves a dynamic interaction between built spaces and the surrounding natural context. It shapes how buildings and cities function, impacts ecosystems, and influences the well-being of inhabitants.