Between Modular and Vernacular: How Combining Construction Techniques Can Bring Agility and Identity to Social Housing in the Global South


Ruca Dwellings / Undurraga Devés Arquitectos. © Guy Wenborne

Ruca Dwellings / Undurraga Devés Arquitectos. © Guy Wenborne

The opening scenes of the award-winning Brazilian filmCity of God” (2002) portray a newly constructed housing complex situated on the outskirts of Rio de Janeiro. Subsequently, this complex evolves into a hub of poverty and violence. Despite the film being set in the 1960s, the housing development depicted was a recent construction.

This choice made no difference because, despite the 40-year difference between the depicted era in the film and the time of filming, the architectural solutions employed by housing programs in the country remained stagnant. They continued to replicate outdated models, showcasing a lack of progress in the sector.


Cinema and Architecture: "City of God"

Cinema and Architecture: "City of God"

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