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Ameba Branch / BAUEN

April 28, 2026 Valentina Díaz 0

A bank is not a building: it is an agreement, an ecosystem of trust. The amoeba is born from this idea: roofs that float, made of thousands of bricks that, together, raise something much greater. An open architecture, without hierarchies, honest and accessible from all sides. A living surface that breathes with the climate, transforms the technical into poetic, and embraces instead of imposing. The amoeba is not just an aesthetic gesture. It is a statement of principles. A manifesto in brick.

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West Canal Yards / Graham Baba Architects

April 28, 2026 Susanna Moreira 0

West Canal Yards was formerly a vital hub in Seattle’s fishing industry, comprised of two buildings: a long-running fish processing facility including a 30,000-square-foot freezer. These hard-working structures now form the foundation of this adaptive reuse project along Seattle’s Ship Canal.

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West London House / Goldstein Heather

April 28, 2026 Valeria Silva 0

Goldstein Heather has completed West London House, an ambitious four-storey lateral extension that extends a narrow end-of-terrace Victorian home in Stamford Brook over the site of a former, now demolished, Territorial Army building. Known for their preference for enduring forms, natural materials, and a resistance to short-lived architectural trends, Goldstein Heather was a natural fit for a project that demanded both contextual sensitivity and the creation of spaces that feel perennial.

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Transparent Lightness: When Pneumatic Architecture Connects with the Environment

April 28, 2026 Agustina Iñiguez 0

In Six Memos for the Next Millennium, Italo Calvino explores lightness from a literary perspective and argues, “Opposed to lightness is weight. Removing weight produces lightness; it is a value, not a defect.” Drawing on Greek mythology, he reflects on one of Perseus’s feats after severing the head of the terrible Gorgon Medusa without being turned to stone. Assisted by the gods Hades, Hermes, and Athena, Perseus flies with his winged sandals and uses a bronze shield as a mirror to reflect her image. Relying, like many architects, on what is lightest—the wind and the clouds—he also fixes his gaze on what is revealed through indirect vision: an image reflected in a mirror.

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A Place in the Country / Studio Ben Allen

April 28, 2026 Andreas Luco 0

In the entrance hall, visitors are met with a view of the stairs. The original setting out of the stairs was retained, but it was rebuilt in solid oak with the addition of sweeping, wider steps at the bottom to give a more generous approach. A small internal opening provides a snapshot view through the living room to the conservatory. Crossing the entrance hall, visitors are presented with an axial view through the library to the dining hall and kitchen. As they move along this axis, they pass into the cocktail library, a new space formed by the reconfigured circulation and at the new heart of the house. Shelves and seating areas are carved from an oblong or pill-shaped form. The materials are solid and veneer oak, naturally finished or washed with a blue stain on the inner curved surfaces. In one corner, a cocktail cabinet, concealed within the curved walls, gives the space the function of an entertainment space for the sociable owners. From this centre point is an axial view of the conservatory through the living room with the landscape beyond, framed by the library doors.