Surrounded by an olive grove, HV Pavillon is the project of a residence in the foothills of Amiata Mount in the Tuscan Maremma (Italy). Raised off the ground, the building is presented as a pavilion released to the landscape in a theatrical way: a proscenium.
The 17th Venice Architecture Biennale debuted last week, showcasing a diverse and inspiring array of possible answers to the question “How will we live together”. Despite the many hurdles inflicted by the pandemic, this year’s edition of the event broadens the scope and reach of the Biennale, restating its role as a platform for inquiry, exploration, and disruptive thinking in architecture. Archdaily had the opportunity to meet in Venice with one of the co-curators of the US Pavilion, architect, author, and University of Illinois professor Paul Andersen, to discuss the idea behind the Pavilion and how it reflects the overarching theme of the Biennale.
A vault is a constructive technique that is achieved by compressing the materials forming it together. While this technique has existed since the time of the ancient Romans, certain types of vaulted ceilings, such as the Catalan or Valencian timbral vault, only reached popularity in some areas of the world at the start of the 19th century thanks to their lost cost and ready availability. With the ability to span over 30 meters and add substantial height to structures, vaulted ceilings became a go-to for the construction of industrial spaces such as workshops, factories, and warehouses.
Haworth Tompkins, Heatherwick Studio and Spparc have shared new details of the first major new London theatre in over 45 years. The Olympia Theatre is part of the £1.3bn redevelopment of the Olympia exhibition center designed by Heatherwick Studio and Spparc. The 1,575-seat venue in west London will be operated by Trafalgar Entertainment, and the design includes a five-story building with a stacked auditorium.
This article was originally published on Common Edge.
the design employs a structural system with thick pink concrete external walls and an inner steel floor framing.
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The architects are 3XN and SLA whose design is based on Lemvig’s historic boat-building facilities found in the spectacular natural scenery of the Limfjord and the strong communities of the port. The Klimatorium offers an innovative and creative mini-hub for storm surge, water, and climate research. Its open public facilities and recreational outdoor spaces also offer innovative opportunities to experience, sense, and use the unique natural surroundings of Lemvig and the Limfjord.
The architects are 3XN and SLA whose design is based on Lemvig’s historic boat-building facilities found in the spectacular natural scenery of the Limfjord and the strong communities of the port. The Klimatorium offers an innovative and creative mini-hub for storm surge, water, and climate research. Its open public facilities and recreational outdoor spaces also offer innovative opportunities to experience, sense, and use the unique natural surroundings of Lemvig and the Limfjord.
British design duo Child Studio has transformed a disused London post office into a contemporary Japanese restaurant. Located in Saint John’s Wood district near the famed Abbey Road crossing, the late modernist building provided a rich source of inspiration for the designers. The interiors present a subtle blend of European and Japanese design influences. ‘Our aim was to rediscover and celebrate the unique history of this building and the neighbourhood’ – commented Alexy Kos and Che Huang, the founders of Child Studio. ‘The post office was built in the 1960s and our design pays tribute to London’s modernist heritage of that era.
The area around the site is a densely built-up wooden area where roads are being improved and buildings are being made non-combustible and earthquake resistant as a fire spread barrier zone in order to create a city that is resistant to disaster prevention.
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